Maria Gembero-Ustárroz / Music books and spanish musical traditions
crossing the Atlantic in the 16th and early 17th centuries: The renewal of the music library at Lima Cathedral, Peru
Permits to travel / Expedientes de viajeos a Indias Promotion applications / Informaciones de oficio y parte
Professional, financial or family reasons to emigrate to the New World
Catherine Cessac / Chronologie raisonnée des manuscrits autographes de Marc-Antoine Charpentier
Talking about H Wiley Hitchcock: chronology is tricky because of two concurrent sets of manuscripts
2004 colloquium: j'ai parle aux uns et aux autres, et ben finalement je l'ai fait toute seule.
boh, un manuscrit, c'est un manuscrit
manuscript paper stamps: printed defects allow reconstruction of binding
also evolution of clef writing
je me suis trompé -- je ne serais plus invitée
Rodolfo Baroncini / Venetian music and its complex cultural context
Private patronage in venice
QUANTITATIVE DATA!!!
more than 100 patrons, 60% of whom are in the nobility, 40% in the cittadinesco class + some non-venetians
strumentisti: 507
- organisti: 173
- cantori: 113
- costruttori di strumenti musicali: 288
maestri di danza: 20
fonti: i-vacp, registi canonici
St Chapelle in Dijon, game, flythrough
Fabrice / Ockeghem Requiem
- does Dufay predate? “de novo compositorum”
Concetta Pennuto / Du pouls aux fibres: vibrations et pulsations du corps à la première modernité
pulse, regular? Medecine. pulse “en gazelle” from arabic medecine treat
“De pulsus Arte & Harmonis Libri Duo” 1584
“Pulsus complicati sunt”
music notation for heartbeats. Fun discussion about whether the staff lines are significant or whether the printer just reached for the closest bit of movable type
Camilla Cavicchi, “Largo al factotum della città”: les barbiers, musiciens et thérapeutes, aux XVe et XVIe siècles
Barber and guitars
Beards and battle strategy. Poor Rodolfo.
Pietro Bono, barber to Este at Ferrara. Same salary as Dufay?
A Pietro Bono dal chitarin L'ha abuto più de mile fiorin tra de fachin et de suo sonare che non ha briga de sbarbirare (1452)
Inga Groote / réalités sonores (+ Iain Fenlon)
McGill / Sound in the Early Modern City
Early Modern Cities as Theatres of Conversion
What is music and what is noise?
How funny, to think that to sing small three-voice motets could make you a better person...
Vincenzo Borghetti / Fors seulement: the story of a chanson and the story of Renaissance Music
Music example oh the hilarity
huge phenomenon in quantitative terms: reworkings “literally inundated” sources
after 1578 print, no trace of any reworking; importantly, resurrected for historiography in 1868: secular music alter-ego of l'homme armé
Why do I say all this? Because I like Fors seulement, but that is not an explanation.
“Only by numbers can we know that”
Us
Max Planck Institute for Empirical Aesthetics: Structure
Language and Literature, Music, Neuroscience, Psychology
Dimensions of Aesthetics: Appreciation, Experience, Behaviour, Perception
Experiment! Touch when you’re singing? On possible effects of body contact in ensemble singing
Hypotheses: - mood communicated by touch - body contact leads to feeling of a deeper connection - less advanced singers profit from the touc of a proficient singer - positive effects on interpretational aspects - improvement of intonation